Interview With Wesley Carls

AH:
OK, before we get into this let's just clear a couple things up.
WC:
Sure, sure.
AH:
This is your last day on Earth and you're publishing a book.
WC:
Correct.
AH:
I'm sure my audience is a little confused as to who you are.
WC:
Well, I'm a historical figure. I am a fire. I am every element bottled into flesh and razor wire. I am the band Garbage. I am garbage.
AH:
I love when you answer my questions like an asshole.
WC:
Sarcasm is for the worms.
AH:
Consider me a dirt-mouth, then.
WC:
They're really wondering if I am you and if you are me, right?
AH:
Right. So, which is it? You're me, aren't you?
WC:
Yes.
AH:
OK.
WC:
And no.
AH:
Jesus.
WC:
And no! Tra! Tra! La, la la!
AH:
I'm far too hungover for this.
WC:
Who'se the Wesley now!
AH:
Let's get back on track.
WC:
(line of cocaine!)
AH:
(coffee)
WC:
Sure, sure.
AH:
Your book...
WC:
Yes! I have written a tome!
AH:
A book.
WC:
It is about the trials and tribulations of one French Stuart.
AH:
No it is not.
WC:
You're a slippery one.
AH:
Your new book is called "Selected Wind Patterns (A.D.)", and is basically just a bunch of weird lines. Most of us are wondering, like, what the fuck?
WC:
Can we go on the record?
AH:
Um...
WC:
You see, I was thinking about suicide. A lot.
AH:
Pretty normal.
WC:
Is it?
AH:
For us.
WC:
Right, right. For you. For me. For me.
AH:
Should I be worried?
WC:
Of course! Of course you should! Suicide is not painless.
AH:
I couldn't watch M*A*S*H for years because of that.
WC:
And now we love it.
AH:
True. So, suicide...
WC:
Yes. The lovely press of death. Maybe that's a better title...
AH:
Wes.
WC:
Right, sorry. It wasn't morbid. I just kept thinking about it as a natural step. The following commercial interruption is brought to you by Toys R Us. So on, so forth. It was not violence, I tell you.
AH:
And the wind patterns?
WC:
Well, knowing how 'frowned' upon it is, and fearing the actual blade, each time the thought crossed my mind I would sketch the current wind pattern.
AH:
Why?
WC:
To remind myself that I am still a product of this Earth and that I am malleable and that I, for all, am for the advocacy of Mellow Yellow!
AH:
(line of cocaine)
WC:
(gallon of hockey pucks)
AH:
The real question is, are you going to do it?
WC:
When the wind stops.
AH:
Where can our fair viewers buy your book?
WC:
It is currently being sold at my garage sale. It is the only item for sale and there is only one copy.
AH:
Why would anyone want it?
WC:
People like proof of life.
AH:
Even when you're dead?
WC:
Especially.
AH:
This is depressing.
WC:
We're all going to die, Alan.
AH:
But we don't have to.
WC:
Oh yes. Yes we do.
AH:
Why?
WC:
Do you think this life is free? We all have to pay for our time.
AH:
Time is money.
WC:
Money is nothing.
AH:
So.
WC:
Right. Pony up, your tab is long and overdue. Nothing is free.
AH:
Ha! Ha, ha!
WC:
Have a ba-na-na. Now,
AH:
Every-body!

My son and I saw a movie today.

Son:
I just...I don't know...I didn't, get it? I guess.
Me:
Yeah. That was bullshit.
Son:
What happened?
Me:
Well, I thought it'd be fun-
Son:
No, I mean, what happened before? What brought us here?
Me:
Do you remember that movie about the caterers that was on TV the other day?
Son:
Um...
Me:
They're like, bad caterers.
Son:
Oh yeah, yeah. Party Dumb.
Me:
Down.
Son:
Me:
No, son, get up. It's called Party Down.
Son:
Oh.
Me:
Brush yourself off.
Son:
Anyhoo.
Me:
We used to have a bunch of really good television shows on. But then they all got cancelled.
Son:
Why?
Me:
Money and old white people.
Son:
What do old white people have to do with it?
Me:
Oh lots! You see, old white people have stupid, stupid ideas.
Son:
Like when you ate four vicodin and chased it with a bottle of moscato?
Me:
That's not a bad idea, that's called Valentine's Day and you can thank your skank mother for that.
Son:
So what kind of bad ideas?
Me:
Oh you know, like sassy, fat black security guards, crotch shots, flash mobs, Whitney Cummings...
Son:
I think I'm getting it now.
Me:
Right, so, these old white people didn't care about things like 'talent' or 'character driven' storytelling or pretty much anything that took time and thought and wasn't done thirteen million times already. But we did. And when those things were destroyed we yearned for them with the strength of ten thousand blogs.
Son:
What are blogs?
Me:
They're nonsense. Nonsense I say!
Son:
You're being weird again, Dad.
Me:
Don't call me that.
Son:
Sorry.
Me:
So then they made movies of those shows. Because the clamoring minorities demanded it and they wanted our dollars again.
Son:
OK, I think I'm following along. So Arrested Development, Party Down, The Wire Trilogy, those were all pretty cool. But that doesn't explain that bullcrap we just walked out of.
Me:
I'm getting to it.
Son:
OK.
Me:
In the wake of those cancellations we all started acting like the true idiots we really are and had to fill that void with popcorn nothingness.
Son:
Like what?
Me:
Did you see that weird sketch about 'guidos' on SNL last weekend?
Son:
I don't watch SNL anymore. It's not funny anymore.
Me:
You're warming my heart.
Son:
But I know what you're talking about. Jersey Shore, right?
Me:
Yeah, yeah. A bunch of bullcrap like that. When I was 24 I spent well over sixteen hours watching The Bachelor. The Bachelor!
Son:
Yeesh.
Me:
I know, I know. It was really bad.
Son:
Well, I mean, what's so bad about watching fluffy stuff? Sometimes it's fun.
Me:
You're right. But what happened was this: everyone started tricking themselves into believing there was some sociological angle they were viewing it with and taking themselves seriously about it and writing pieces about Real Housewives for Thought Catalog.
Son:
I think I know where this is going.
Me:
You do! Because you're smart like your old man. And handsome to boot!
Son:
Well, I'm handsome, you're, um...
Me:
Distinguished?
Son:
Present.
Me:
Good enough.
Son:
So that rotted asshole of a movie we just saw used to be a show?
Me:
Yeah. A show about real teen mothers. Really insane teen hick mothers. And people, o!, how they loved it.
Son:
Can I have some of that?
Me:
Um, sure, but don't switch to hard liquor until you're fourteen.
Son:
Thanks.
Me:
Well, what do you want to do now?
Son:
Wanna sneak into that Elle Fanning movie?
Me:
I thought you'd never ask.
Son:
I love you.
Me:
I love you, too.

Erotic Nightmare: A Noir Porno In Fragmented Hallucinations

And: flash.

The bulb on the old-timey photographer’s camera popped and fizzed and the smoke never dissipated. It hung snugly from the ceiling and whispered to me thinly: D-V-N-O, four capital letters, printed in gold… The words cracked and faded but the bassline jumped the jewelry on the nightstand up and down.

I foreshadowed a stairway and was instantly walking down its steps, made of satin and sand. Ornately framed gold records (wrapped with animated lizards, licking and smiling in quiet) lined the descent. At the bottom the sand spilled into creaking floorboards and the bass humped louder. Tiny shafts of neon light danced from a keyhole ahead. The doorman, in crushed red velvet riddled with moth-bites, tipped his tasseled hat and motioned to the gigantic, oak door.

“We’ve been waiting for you, Mr. Kaleidoscope.”

Valentino grabbed my hand and inserted my index finger into the lock. He twisted my wrist and with a sparkle and cough the weights raised and the door wooshed open, smacking my face with smokey light and techno.

On acid, delicately: Waiting For Tonight.

This is hard-core, someone whispered and the waterless gondola took me barside. Before I could order my gin and tonic a Blundes in high-waisted denim chortled at me. I dropped my jaw into the ashtray. Her top was only this: two thin strips of untethered suspenders, forming two gig-lines with her Cosmonaut-pink nipples. She had dazzling tit-length Rorschach braids. When I say she had emeralds for eyes I mean she had snakes for eyes and those snakes, as emerald and reflecting many facets as they were, tongued hisses and scolded my tinkering frame.

The DJ exclaimed over something chopped and screwed: O Captain, my Captain!

I snapped back to the podium and she slid me a note, condensation stained, that spoke in cracked eyeliner a disappearing message (centered, one word above the next, symmetrical):

LANA
YOUR

LIP —

When I rose back up her fog-hair left a trail and she floated on periwinkle farts away from the ballroom. The note crumbled in my hand like ash and when I dusted off my boots it scattered “Corridor 3” and wouldn’t you know it there I was, approaching a vanishing point, following a burning red door, emanating heat and pheromones. 

Careful, Detective, you don’t want to disturb the crime scene.

She pushed me onto the bed and my cheap suit shriveled and ran out the door with its tail between its legs. It was difficult to concentrate. When the suspenders stopped suspending her chest erupted a most powerful beam of light, scarring my pupils, staining the walls.

I turned away to adjust and Gingrich was standing on a bedside table, pouring champagne into the mouths of two co-eds connected with a stone dildo at their back-ends. His flabby stomach rolled continuously over his waist, lapping at the case of skin squirting hose-like tiny globs of pearl around the room. 

I turned again, to dodge the chubby seeds, and noticed the blood. It covered the bed sheets. Little placards with numbers to note evidence, placed delicately by homicide detectives, dug into my skin. Julia had inserted myself, hush, warmly, softly, slipping and- must have been in the fog, when I was, well, I had been running somewhere- hadn’t I?

The body lay beneath us, undulating it’s minimal contents from our rhythm and pulse. Flash bulbs popped again and Newt drooled a turkey leg from the corner recliner. Mother, no, I didn’t mean to vomit again. I just get so, frankly, disturbed some nights. Some nights in red, some nights in criminal blue.

A fat, ham-hock-hand pulled at my Adam’s apple to a sitting position at the end of the bed. A chalked revolver winked at me soaked in crimson wet and the girl between my legs, Hoovering my rigid cock, looked up at me. The room vibrated in bass and her fleshy face cascaded grotesquely.

Lana, your lip-

But she couldn’t respond now, as her angelic face went from chiseled to chaste, leaving nothing but a floating head of hair. My penis tucked back and released and sighed and I walked through quicksand to the backdoor, getting gut punched by Mr. Gingrich once more, whispering between winded coughs- where’d Valentino go? Where’s the towncar?

My hip-pocket hummed concentrated vibrations and the smoke finally broke, the ceiling formed again and my bed was damp with sweat. How long had I been in?

I’m sitting on my couch, recovering from margaritas that were much too sweet, watching Just Go With It starring Adam Sandler and Jennifer Aniston. And it strikes me that I often do things I do not like. Which is wrong. It’s stupid. And then I think, maybe I’m addicted to disappointing myself. Maybe I enjoy being unenjoyable. This is no way to act. I am horrible. I just yelled at a little girl for being too muggy. I sat in my filth, in my pajamas, in typical squalor, and berated that annoying little girl. Instead of maybe leaving the house and working or creating something or exercising or just eating a fucking fruit for Christ’s sake, Alan. I was evaporating painfully and to top things off Nick Swardson was just YELLING at me. But then something magical happened. I was pulled from the brink much like when Jim Carrey played that Third Eye Blind song in Yes, Man to literally help a dude ‘step back from that ledge, my friend’ (this happened!). Nicole Kidman showed up. Nicole fucking Kidman is in Just Go With It. The cloud of smoke hanging from the ceiling was just thick enough to make this appearance rip my brain from my brain from my brain. I packed my helmet with dynamite and lit the fuse when I saw who plays Nicole Kidman’s husband. It’s Dave Matthews. Dave Matthews of The Dave Matthews Band fame. And the best part is that he’s not playing himself. That’s not the joke. The joke isn’t Dave Matthews. He’s playing a made up person. A made up person who apparently invented the iPod but is not Steve Jobs. So, you know, what? And that is beautiful to me. It’s insane and stupid and wrong and beautiful. These shitty movies. What people like. Do I just like this crap? No, I don’t think so. It’s amazing, though. So briefly, with that ridiculous scene, I wasn’t drastically depressed about sitting on my couch undressed watching Just Go With It at noon on a Thursday. Just a little. But then Nick Swardson started up again and I entertained the idea of putting on pants and maybe calling my grandmother this year.

I’m sitting on my couch, recovering from margaritas that were much too sweet, watching Just Go With It starring Adam Sandler and Jennifer Aniston. And it strikes me that I often do things I do not like. Which is wrong. It’s stupid. And then I think, maybe I’m addicted to disappointing myself. Maybe I enjoy being unenjoyable. This is no way to act. I am horrible. I just yelled at a little girl for being too muggy. I sat in my filth, in my pajamas, in typical squalor, and berated that annoying little girl. Instead of maybe leaving the house and working or creating something or exercising or just eating a fucking fruit for Christ’s sake, Alan. I was evaporating painfully and to top things off Nick Swardson was just YELLING at me. But then something magical happened. I was pulled from the brink much like when Jim Carrey played that Third Eye Blind song in Yes, Man to literally help a dude ‘step back from that ledge, my friend’ (this happened!). Nicole Kidman showed up. Nicole fucking Kidman is in Just Go With It. The cloud of smoke hanging from the ceiling was just thick enough to make this appearance rip my brain from my brain from my brain. I packed my helmet with dynamite and lit the fuse when I saw who plays Nicole Kidman’s husband. It’s Dave Matthews. Dave Matthews of The Dave Matthews Band fame. And the best part is that he’s not playing himself. That’s not the joke. The joke isn’t Dave Matthews. He’s playing a made up person. A made up person who apparently invented the iPod but is not Steve Jobs. So, you know, what? And that is beautiful to me. It’s insane and stupid and wrong and beautiful. These shitty movies. What people like. Do I just like this crap? No, I don’t think so. It’s amazing, though. So briefly, with that ridiculous scene, I wasn’t drastically depressed about sitting on my couch undressed watching Just Go With It at noon on a Thursday. Just a little. But then Nick Swardson started up again and I entertained the idea of putting on pants and maybe calling my grandmother this year.

The Hard Things

Recently a soft and astute human being told me that a positive side to a bad experience I had was that it makes me uniquely qualified to help someone going through something similar. This was yesterday. And I couldn’t help echoing this thought in my mind as I listened to Todd Glass give such a beautifully unique and touching perspective on hiding who you are, being gay, and coming out, on Marc Maron’s WTF Podcast. These two things together nudged me to talk about something I’ve been dealing with for over a decade, something that still gnaws at me, and something that has taught me some beautiful lessons in humanity, family, and love. I’m not saying this in anyway compares to Todd Glass’ triumphant and fractured story. I could never fathom the complications and hurt that comes with something like that. Dealing with the violent and close-minded take on homosexuality our society has cultivated is in no way like the “abandonment issues” (thanks ex-girlfriends!) I deal with from my mother. But that’s what I’m going to talk about. My mother (eye rollzzzzz).

And I hope this helps you. If you need it.

Yeesh!

Anyway, when I was around the age of 11 or 12 my increasingly disconnected mother disappeared. This is how I remember it at least. And unlike most maternal vanishing acts it wasn’t because of drugs or kidnapping or magic or anything else I may have been able to understand at that age. It was manic depression. But that meant farts-and-a-half to me at the time. I just knew she was one day there and then not the next.

Three months later she returns and two custody battles later I realize that in her chase for a youth and with the baggage of an eroding mind she spent an adulteruous absence in the same town I continued to look for her in. The details and corkscrew turns of these revelations and divorce proceedings are seemingly endless and horrifying and boring, all at once. When it was finally decided, by the first judge who cared for justice, my mother was unfit to raise my sister and I, my actual parent, my father, was returned custody and rightfully the home he was paying for. After several years of calendar-marked visits and a handful of almost-reconciliations my mother burned me for the last time and that, as they say, was that.

Now, it was a long and difficult process. I didn’t disconnect from the woman overnight. I skip over most of it to protect my own harsh memories and to not bore you. There were fights, there were sirens, there were admissions a child should never hear, there were suicide attempts and homicide threats, the whole American gamut. But none of those stories are the point (though I do take pride in my youthful defiance of kicking in the door of my mother’s worst boyfriend’s new Porsche [a now convicted sex offender!]). The point is this:

You can not help who you love and you can not make any human being love you. I know this sounds literal in my case. I could not help being born from my mother, I could not help to learn language and compassion and how to walk from her, I could not help to memorize her circadian rhythm before I could formulate thought. But it is the same as how you can not help who you fall in love with. You do not chose who your heart desires, for whatever reason. Not for attention, not for affection, and not for attraction. And when these people, these equally naive, fractured, and human people, when they do not realize that you are lovable and worthwhile and brilliant that is not your fault. It is theirs. One day, hopefully, they will realize and lament these mistakes they’ve made. But they also might not. And that is fine. They looked away when the meteor skimmed our atmosphere. Years from now the geniuses with their eyes to the sky will recall how you were ebullient and night-ripping, whereas these failures, these non-awares, will only recall in faded stories how truly bombastic you really are. It is a mistake and that is all it is. It is the same as the bumper you hit parallel parking the other day.

Now, that isn’t to say that mistakes can not affect you deeply. A misplaced digit can foreclose a home and ruin an entire family, entire generations. These ripples are for us to deal with and learn to endure. What we can’t affect is the mistake that led us here. And knowing that is comforting because knowing that means knowing that you are a product of the world and that itself is beautiful. And it will highlight the people, the actions, the objects, that weren’t mistakes. And you will cherish those with all of your heart because your heart is worthwhile and has grown larger than cities and has learned to exclude anything that does not match its sincerity.

Be careful. As I said, these are mistakes. Sometimes they are made because of off-balance serotonin levels and sometimes they are made because of fun white powders and sometimes they come from generations of non-love, but they are mistakes nonetheless. You will make mistakes. You may ignore a shining and brilliant human being who yearns for your affection, and you may never know that you did. But you must remember to try, you must remember to be careful. And when you slip, and this is not easy, you must try to explain, you must try to reveal. Because we will live on enduring and knowing we are meteors with unmatched speed and fury, but even rocks on fire in space can use a bit of tenderness, a bit of clarity.

Your Do-Gooder Ex Is Coming Back From India

You:
Oh, I didn't think you'd answer. I thought you'd still be on the plane.
Her:
We had a layover. I'm at Dulles International right now.
You:
Oh, well, um...
Her:
What's up?
You:
I was just wondering if you were coming through town on your way home, I still have some stuff of yours.
Her:
Like what?
You:
Some books and some jewelry.
Her:
It's been a year. Do you think I care about that stuff?
You:
Oh, I just thought they might be sentimental or expensive or something. I don't know.
Her:
You and your possessions.
You:
What?
Her:
Free yourself.
You:
Um, again, what?
Her:
I've changed.
You:
Oh.
Her:
You wouldn't understand.
You:
People are always saying that.
Her:
...
You:
So, how was Bombay?
Her:
Mumbai.
You:
Come again?
Her:
They don't call it Bombay anymore. I mean, you can, if you like stripping the Indian people of their independence and returning to the imperial rule of Britain.
You:
I'm sorry, I didn't-
Her:
It hasn't been 'Bombay' for nearly 17 years. I suggest you read a book.
You:
Um, so, you don't want your stuff back?
Her:
Free yourself.
You:
Stop saying that.
Her:
I built a school.
You:
Anyway...
Her:
What have you been up to since I left? Did you build any schools?
You:
I um...well..
Her:
Speak up. Make your words count.
You:
I filed for unemployment. Is that what you wanted to hear?
Her:
You know some people aren't lucky enough to have a government that supports them with welfare.
You:
Right...well...
Her:
But I guess it's pretty hard for you. You need that unemployment check to buy whiskey and Cheez-Its.
You:
I've been writing a lot.
Her:
And not building any schools.
You:
OK. Well look, if you come through, Karen is having a going away party for Chris Keller and I thought you might want-
Her:
To go to a party?
You:
Yeah.
Her:
And drink like totally fun mass-produced spirits? Wanna pick up some Smirnoff Ice for me? Want me to drink Smirnoff Ice for you? Just like the old times?
You:
You drank Smirnoff Ice?
Her:
I'm making a point.
You:
I don't get it.
Her:
Yeah. You don't. You never 'got' it. I can't talk to you. I have to boil drinking water before my next flight.
You:
You're in an airport. Can't you just, like, find a water fountain?
Her:
Just because the convenience exists does not mean you should take advantage of it.
You:
Take advantage? Of...a water fountain?
Her:
Don't call me again.
You:
OK.

Suicide Notes

-Probably two weeks? I’d need some time to get things in order. Is there anything else I want to do that I have yet to do?
-fall in love, check, tell my dad I love him, check, tell my sister she’s special, check, meet my brother, check, have a daughter- fuck.
-travel, check, didn’t make it to Nepal but I guess I covered a lot, especially given my status and wealth, Prague was nice, America would have been better if I wasn’t born here, Minneapolis was kind, saw enough of New York in movies, sure I missed some things, never been to Ohio but I saw where Buddy died in Clear Lake so we’ll call it even.

-Oh man, not gonna miss people who talk on cell phones loudly in public.

-Stop crying, please. 

-Two weeks? TWO WEEKS? FUCK!

-OK, maybe on your birthday? That gives us approx. 6 months. That’s breathable.

-Don’t believe in god, thank god.

-This sunshine tastes amazing. Amazing!

-Pretty girls, pretty girls, no more pretty girls.

-How would I do it, though? Logistics.

-rope? A punishment, plus your tongue pokes out all goofy afterwards, dangling like a pendulum with a lizard-tongue? No thanks.

-pills are boring, right? What am I gonna do, zone out in front of daytime television or put a record on?

-which record? nix Elliott Smith, too typical, nix it all.

-They’re playing Bright Eyes in this coffee shop.

-Maybe 6 months is too long.

-Forgot about Star Trek 2. Shit. OK, I’ll do it after Star Trek 2. When does that come out?

-I guess if I’m going out I can punch some people in the face who deserve it:

-Mark

-Westboro Baptist Church

-That guy who hit me with his car.

-Ian

-Jonah Hill

-Me

-Should buy some expensive bourbon.

-Guns?

-Should write some more love poems. Not enough love poems, ever.

-Should fall in love again.

-Should really, really have a daughter.

-Fuck.

-Sometimes I wish I had a faith.

-Look how beautiful that dog is, licking the air, jumping in that parking lot, he doesn’t even know that rent is late and debts are-

-Who will take over my debt? They’ll make someone else pay it right? My family? Sorry. 

-OK, pay off debts first. Don’t leave a mess for anyone else. That’s not fair.

-How to pay off debts:

-Sell a screenplay.

-LOL.

-Rob a bank.

-Not so LOL.

-most people get away with the first bank robbery. it’s the repeat offenders who blow it. isn’t that crazy!?

-Kerri Russell.

-Kerri Russell. Keri Russell!

-Can’t turn off the rotary buzz claws in my brain.

-Pizza? Pizza!

-Burritos

-Daughters.

-Someone’s gonna miss me. I mean, in the grand scheme of things, a very, very, very tiny amount of people. But, still. Don’t want to be rude.

-Not gonna miss people who cut me off.

-Not gonna miss anything. Too much to miss. Need to stick around. Need to have a daughter and need to write more love poems and need to high five more friends and make things that make other people feel less alone and need to ride it out and maybe if I’m lucky I can make enough money to high five more friends and make things that make other people feel less alone and then maybe, oh please maybe, can go to space.

-Need to buy some groceries then.

stickyisaslut:


My friend Alan (on the right, duh) is a Los Angeles writer with a big mouth and an even bigger heart. You can occasionally find an article of his over at Hello Giggles and he keeps his alter-ego’s poetry over @ Looked Like Laughing (which you should totally follow). 

 
Modern Mysteries and Soft Regret by Alan Hanson
This is a nearly completely almost so very true dramatization of a real fiction about the most erotic relationship I ever had without ever having sex. Let us remember that nothing is 100 percent anymore. Not even juice.
Two or twenty years ago I walked on the air of three mid-day Black-and-Tans into an Orange County H&M. I immediately flickered my hungover eyes to the gorgeous petite punker holding a clipboard. It was not love at first sight, but it definitely was something. It was a sock in the stomach with brass knuckles and brandy and I doubled over in lust and wonder.
She appeared between rotary clothing racks like this (the soundtrack: the opening trumpet line of Everybody Plays The Fool by The Main Ingredient):
I saw her clad in a frayed-like-sunlight denim jacket, directing a co-worker to some stacks of multiplied clothing, listlessly demanding with her extended hand, her milky skin converted to parlor-Church stained glass, nearly washed out by hair so strawberry-blonde one might drink it like a malt, two straws, one glass.
With the bravery backing of the Black-and-Tans I mustered just enough courage to ask her on a date and with undeserved luck she agreed and two days and eight hours later we sat on an empty Newport Beach well after midnight polishing twelve Tecates.
Her parents called her Ashley and it seemed as if she did everything in her power to erode the plainness associated with that common designation. She maybe even said she was in a gang. A Tom Waits inspired gang of orphans and brawlers, bawlers and bastards. On digital paper this reads cliche. On California sun-soaked pavement it screamed fire and smacked with velvet wrapped baseball bats. I learned the word ‘sexy’ that night as I delicately held her boney-like-a-mortician fingers in mine, tracing the tattoo-green characters above each middle knuckle: R-A-I-N-D-O-G-S.
I drove her home with no regard for safety. I was drunk with an explorers interest (or maybe six beers). I wanted to know every minuscule thing about her. I wanted to excavate each gnarled and ugly treasure from beneath her inked skin. I wanted to exhume past demons just so I could lend a new shoulder to collect tears that I was sure were made of grain alcohol. I wanted all of her. 
When I said I drove her home what I meant was this: I drove her back to the mall-adjacent Marriott she was staying in. You see, Ashley was from Phoenix by way of Austin and was only training at my H&M to open a new store in the baked desert of Steve Nash. She was only in town for four more days. My body, made of faded news paper, crumpled in clenched fists.
I took what I could and we were romantic twice more but never physical. These were the moments that in hushed heavy breathing and salted oxygen made me erect and made me warm: sitting on a Mexican blanket with sand in my shoes under a full moon and chatting stars as she told me about pathways in her hometown, the fractured meter of her poetry that she nervously recited from an iPhone in State College Park near squawking and applauding geese, the nearly-plastic bedding of her hotel room that enveloped my skin as we lay silently next to each other, just barely entwining our arm hairs into secret braids, listening to some nameless band in soft lamp light, wondering if I should break the physical silence by reaching out, touching, grabbing, consuming. She was a blanket of night ocean sky, a blue so dark that continents could lose themselves in it. 
Ashley left to manage an H&M in the PHX and I was left to manage without her, affected a pre-historic footstep chronicled in rock for all of time. We spoke maybe once or never afterwards and I missed her dearly. She soon left the glitz and glamour of mall fashion for the piss stained streets of New York and my Nokia blipped its last bleep and into the Marianas Trench her phone number went. I still think about her nearly once a week, fondly. And when I think about that Newport sand and those blurred California stars, dangling over her soft hair (oh god, if only you knew how soft it truly was, like warm bed sheets in winter made of your mother’s pancakes), and how the mystery of who she was enticed me just as much as her delicate limbs, well, I still arouse. I become flush. I become carnal. Those memories, they’re fucking better than porno.

Everything is Something.

stickyisaslut:

My friend Alan (on the right, duh) is a Los Angeles writer with a big mouth and an even bigger heart. You can occasionally find an article of his over at Hello Giggles and he keeps his alter-ego’s poetry over @ Looked Like Laughing (which you should totally follow). 

Modern Mysteries and Soft Regret by Alan Hanson

This is a nearly completely almost so very true dramatization of a real fiction about the most erotic relationship I ever had without ever having sex. Let us remember that nothing is 100 percent anymore. Not even juice.

Two or twenty years ago I walked on the air of three mid-day Black-and-Tans into an Orange County H&M. I immediately flickered my hungover eyes to the gorgeous petite punker holding a clipboard. It was not love at first sight, but it definitely was something. It was a sock in the stomach with brass knuckles and brandy and I doubled over in lust and wonder.

She appeared between rotary clothing racks like this (the soundtrack: the opening trumpet line of Everybody Plays The Fool by The Main Ingredient):

I saw her clad in a frayed-like-sunlight denim jacket, directing a co-worker to some stacks of multiplied clothing, listlessly demanding with her extended hand, her milky skin converted to parlor-Church stained glass, nearly washed out by hair so strawberry-blonde one might drink it like a malt, two straws, one glass.

With the bravery backing of the Black-and-Tans I mustered just enough courage to ask her on a date and with undeserved luck she agreed and two days and eight hours later we sat on an empty Newport Beach well after midnight polishing twelve Tecates.

Her parents called her Ashley and it seemed as if she did everything in her power to erode the plainness associated with that common designation. She maybe even said she was in a gang. A Tom Waits inspired gang of orphans and brawlers, bawlers and bastards. On digital paper this reads cliche. On California sun-soaked pavement it screamed fire and smacked with velvet wrapped baseball bats. I learned the word ‘sexy’ that night as I delicately held her boney-like-a-mortician fingers in mine, tracing the tattoo-green characters above each middle knuckle: R-A-I-N-D-O-G-S.

I drove her home with no regard for safety. I was drunk with an explorers interest (or maybe six beers). I wanted to know every minuscule thing about her. I wanted to excavate each gnarled and ugly treasure from beneath her inked skin. I wanted to exhume past demons just so I could lend a new shoulder to collect tears that I was sure were made of grain alcohol. I wanted all of her. 

When I said I drove her home what I meant was this: I drove her back to the mall-adjacent Marriott she was staying in. You see, Ashley was from Phoenix by way of Austin and was only training at my H&M to open a new store in the baked desert of Steve Nash. She was only in town for four more days. My body, made of faded news paper, crumpled in clenched fists.

I took what I could and we were romantic twice more but never physical. These were the moments that in hushed heavy breathing and salted oxygen made me erect and made me warm: sitting on a Mexican blanket with sand in my shoes under a full moon and chatting stars as she told me about pathways in her hometown, the fractured meter of her poetry that she nervously recited from an iPhone in State College Park near squawking and applauding geese, the nearly-plastic bedding of her hotel room that enveloped my skin as we lay silently next to each other, just barely entwining our arm hairs into secret braids, listening to some nameless band in soft lamp light, wondering if I should break the physical silence by reaching out, touching, grabbing, consuming. She was a blanket of night ocean sky, a blue so dark that continents could lose themselves in it. 

Ashley left to manage an H&M in the PHX and I was left to manage without her, affected a pre-historic footstep chronicled in rock for all of time. We spoke maybe once or never afterwards and I missed her dearly. She soon left the glitz and glamour of mall fashion for the piss stained streets of New York and my Nokia blipped its last bleep and into the Marianas Trench her phone number went. I still think about her nearly once a week, fondly. And when I think about that Newport sand and those blurred California stars, dangling over her soft hair (oh god, if only you knew how soft it truly was, like warm bed sheets in winter made of your mother’s pancakes), and how the mystery of who she was enticed me just as much as her delicate limbs, well, I still arouse. I become flush. I become carnal. Those memories, they’re fucking better than porno.

Everything is Something.

Endless Ticker Tape

I’ve never been one for much end-of-the-year reflection. It rarely makes me feel any different to complete one and enter another. But I do like a good summarization. I like things to be compact, when they can be. So here are some highlights, of this here collection of sun fragments and word-tricycles, of the year completed: 2011 (what a large number! Two thousand! And eleven! Look how far we are!)

Writing:

GOOD: Dealbreaker: She Was My Opposite

My Son And I Had A Picnic Today: Who is Justin Timberlake?

Drake’s Lonely Phone Log

A Sunlight Sketch of General Public’s Tenderness

‘One Morning’  (A Pleasant Wish of Ill Will)

The West Memphis Three Go To A Strip Club

Two Things That I Wanted To Know (That I Will Never Know)

TC: The Thing About Space Travel (Is Loneliness)

Internet Dating Is For Degenerate Losers Like Myself

Elle Fanning Offers To Buy Me A Drink In 2019

TC: Your Recently Divorced Father Has A Night Out In Leavenworth, KS

Poetry:

3(2)

One Morning, One Weekend, In The City

Garage Music

Still Tippin’

A Long Walk Down 32 Stale Carpeted Stairs, Covered In Nylon, Smoldering Sun, And Robin’s Eggs

Found Some Graph Paper

American Attendance

Caves

Dear Corina (Winter In Los Angeles)

Thanks so much for reading, criticizing, reblogging, and sticking around for all of this. You mean the most to me.

Bio farts.

Jamie Leffleur is a writer in New York City and she wonders if she lives in a pizza bubble but wonders more often if she could eat said bubble.

Cal Titus is a writer who prefers Maxim to GQ but his parrot prefers the Penny Saver to most major print publications. His shoes need resoling.

Maxwell Maxington studied Artistic Representations of Bill Cosby at Evergreen University and still calls his ex-girlfriend late nights out of habit. She has stopped minding.

Michalea Fist is an ex-Sandwich Artist and seamstress who befriends clear liquors nightly. She has stopped mending.

Kara Q. Walcott designs eco-friendly ascots with her boyfriend Zeal when she’s not hammering away at her Paralang Typer 110-ASL her grandfather left her. He wore a mustache. Zeal does not.

Megazord P. Berkeley, Esq. has a quick hand. He’ll look around the room. He won’t tell you his plan. He’s got a rolled cigarette hanging out his mouth. He’s a cowboy kid.

Qorin Qu is the editor of See-Saw Revolution, a weekly playground voyeur column. Qorin never mastered the monkey bars.

Sethula Presley once found twenty dollars and a gram of cocaine in his grandmother’s shoe.

Mark Carrer Hilton doesn’t remember where he put his keys but can recite every lyric to Wham!’s ‘Make It Big’. He likes cats.

Farthing Woooster comma franklin parlor mince meat umbrella dog.